thatlupa:

shodobear:

stunningpicture:

A grape, wearing a raspberry.

I am froot.

!

thatlupa:

shodobear:

stunningpicture:

A grape, wearing a raspberry.

I am froot.

!

vagueversusvogue:

barbie-teacatch:

al-grave:

"What do you play? The Clarinet, you? I play the fucking HAMMER"

I MEAN THE OTHER PLAYER’S FACES THO

the dude in the back knew it was coming, the other dude forgot

forget the other players’ faces look at the guy with the hammer
he’s just like, ‘yeah I fucking HIT THAT BLOCK I am the BEST HAMMER PLAYER HERE’and his HAIR
also the brass player’s music stand?

vagueversusvogue:

barbie-teacatch:

al-grave:

"What do you play? The Clarinet, you? I play the fucking HAMMER"

I MEAN THE OTHER PLAYER’S FACES THO

the dude in the back knew it was coming, the other dude forgot

forget the other players’ faces look at the guy with the hammer

he’s just like, ‘yeah I fucking HIT THAT BLOCK I am the BEST HAMMER PLAYER HERE’
and his HAIR

also the brass player’s music stand?

wnwnmemo:

ダックス工場

wnwnmemo:

ダックス工場

yex:

here’s a thing i made for a thing that didn’t become a thing but since it’s especially a coffee day or something (?) ill post it nuh nuh nuh now

yex:

here’s a thing i made for a thing that didn’t become a thing but since it’s especially a coffee day or something (?) ill post it nuh nuh nuh now

neomvseu:

lyingpink:

neomvseu:

lyingpink:

Oh hey didn’t realise this book was available free online

First Year Harmony by William Lovelock is a pretty good introduction to classical harmonic theory. Still working through it myself so I can’t vouch for the whole thing (someone recalled it when I got it out of the library) but it covers the basics really well!

Oh and hey there’s lots more music books on there too *plunders*

I read the first few pages and couldn’t get past the fact that all Roman numerals were capitalized. Also, Lovelock just started using “compass” out of nowhere, and although I got the meaning after rereading a few times, he could have done better than to use arbitrary terminology without apt introduction. (On second thought, it might just be that the usage of “compass” as “range of mobility” is severely limited in modern parlance.)

Oh nooo, books with unnecessarily confusing editing choices are so frustrating :/

I’m guessing I either didn’t get that far through, the version I was reading had been edited better, or the errors just went over my head somehow. I’m still gonna try to get through this though… *grits teeth*

(incidentally, do you know of any books covering similar ground with less muddiness in the writing?)

Must be an older edition, hopefully your version is indeed more easy to understand.

I’m not sure what medium you’re looking for (online book or normal book?), and I had a unique experience learning voice leading; I skipped first year theory completely and had roughly a month of basically working out voice leading conventions with my TA.

But I used Steven Laitz’ The Complete Musician (erd ed.), and while it has a different focus than Lovelock’s book (intervallic relations then chords vs. scalar chords and explanations, two voices to four vs four voices throughout), I think the book does a pretty good job explaining what it does and builds clearly upon its foundation. Plus it has second year stuff as well (which is why I bought it).

seventhelement:

lyingpink:

seventhelement:

avaomod:

seventhelement:

seventhelement:

Fuck it, I’ll upload a new version of this to tumblr every night. Doubt I’ll get a ton of feed back, but just lemme know if it starts to suck at any particular point. Again, this is for the Academy of Power.

decent hour reblog

Preferred it with the clean drums, glitches are a bit strong methinks.

These are probably the weakest glitches I’ve ever done :/ I was trying to establish a groove at about 1:37, which may have been lost on some.

There are reasons the glitches are there as well. This song is certainly about something.

I definitely agree about the glitches — like glitches sound like they’d work really well in this but the ones you’ve got at the moment feel almost arbitrary

But this is REALLY PRETTY and I am VERY EXCITED about hearing it when it is finished

"arbitrary"

????? huh????

I kind of chose them meticulously. Their sound is 400% intentional…I just meant that they’re weak as in not hard. As in “not an amen break tearing you limb from limb”

oh I seee :/

I’ve probably just been listening to too much vsnares-style glitching up the wazoo type of music

sorry :<

kokuhaku-akaboji:

ask someone whos never seen dangan ronpa to describe it based on this photo

Half of daft punk challenges a bear to a dance-off at a ska concert. Energetic schoolgirl has not noticed and continues to skank. Schoolboy has dropped his drink and is defeated

kokuhaku-akaboji:

ask someone whos never seen dangan ronpa to describe it based on this photo

Half of daft punk challenges a bear to a dance-off at a ska concert. Energetic schoolgirl has not noticed and continues to skank. Schoolboy has dropped his drink and is defeated

seventhelement:

avaomod:

seventhelement:

seventhelement:

Fuck it, I’ll upload a new version of this to tumblr every night. Doubt I’ll get a ton of feed back, but just lemme know if it starts to suck at any particular point. Again, this is for the Academy of Power.

decent hour reblog

Preferred it with the clean drums, glitches are a bit strong methinks.

These are probably the weakest glitches I’ve ever done :/ I was trying to establish a groove at about 1:37, which may have been lost on some.

There are reasons the glitches are there as well. This song is certainly about something.

I definitely agree about the glitches — like glitches sound like they’d work really well in this but the ones you’ve got at the moment feel almost arbitrary

But this is REALLY PRETTY and I am VERY EXCITED about hearing it when it is finished